Gift
from the Gulbenkian Foundation
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It was on Sunday, October 13th, 1963, that the cofferdam for Dighton Rock was inaugurated in Berkley, Massachusetts. For centuries this boulder monument had been covered and protected by tidal water on the left margin of the Taunton River. With the cofferdam the rock was elevated 11 feet and placed on dry land. From that date on, it became protected only by a fence like a chicken coop and therefore was exposed to extreme temperatures during the summer and in the winter, and also at the mercy of vandalism by throwing stones, bottles of coca cola, etc. It broke my heart every time I went there!
For ten long years I fought for the Commonwealth of Massachusetts to approve funds for the construction of a building protecting this monument. Finally a Pavilion was constructed which was inaugurated in November of 1974. More than five thousand people attended this great celebration. We had the band of Our Lady of Light from Fall River and even the folklore group “Os Lusitanos”.
But I was not satisfied just with the completion of the Pavilion. We needed another building to complete the Dighton Rock Museum. I continued to use all my political maneuvering and finally I was able to get the help of Mr. John Long, Chairman of the Ways and Means of the Commonwealth of Massachusetts, who was able to have a Bill approved for the construction of another contiguous building. Here is the Law approved by the House do Representatives, the Senate and sign by the Governor:
"The Department of Natural Resources is hereby authorized and directed to construct a building at the Dighton Rock State Park in the town of Berkley for the purpose of displaying objects associated with Dighton Rock and with the history of Portuguese and other landings, explorations and settlements in the area."
This Bill was of double importance. It mandated the construction of a building and at the same time specified, by name, that the Museum had to have artifacts related to the Portuguese Discoveries! This was a great victory, whereby the State Law singled out the Portuguese!
While the Museum was being constructed I decided to write letters requesting gifts of historical and maritime artifacts from:
(1) President of the Gulbenkian Foundation, Dr. Azeredo Perdigão = Padrão of Portuguese Discoveries.
(2) Admiral Tengarrinha Pires, President of the Corte Real Committee of the Portuguese Geographic Society of Lisbon = Model of the Nau São Gabriel of Vasco da Gama
(3) The King of Spain, Don Juan Carlos = Caravel Victória of Fernão de Magalhães.
We were able to obtain all the three gifts described above which continued to be in display inside of the Dighton Rock Museum.
Dr. AzeredoPerdigão
I sent Dr. Azeredo Perdigão, President of the Gulbenkian Foundation,
a letter with a copy of my book "Portuguese Pilgrims and Dighton
Rock" and a drawing of a Padrão, or Portuguese Discovery Marker,
requesting it as a gift, to be displayed inside of the
Dighton Rock Museum. We
wanted the Padrão to be made in Portugal by special professional masons.
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Dr.
Azeredo Perdigão, the first |
We were very pleased when we received a letter from Dr. Perdigão informing us that our request had been granted! The Padrão was done in Portugal and sent to us by air and since (1978) has been on displayed inside of the Dighton Rock Museum. It weights 914 kilograms. It came in three separate boxes parks. It was assembled in loco.
My wife bought a reddish cloth to be used as a background to contrast with the whitish marble. The visits to the Museum as very well impressed with the beauty and historical meaning of the Padrão. At base of the monument there is this label:
Padrão
Portuguese Discovery Marker
Gift from the Gulbenkian Foundation
Lisbon, Portugal.
Compass Rose is the center of the museum proper. Padrão is between both doors leading to the Pavilion where the Dighton Rock is preserved in a glass enclosure
A close up
of the Padrão
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This is the head of the Padrão. Notice the proportion of the Cross of the Order of Christ in relationship to the rest of the body of the Padrão. The general dimensions and the drawing characteristics of this Padrão were done by Francisco Dias, an architect designer, guided my specifications. This Padrão is the most balanced that there is in the Portuguese World. |
This is the Portuguese Coat of Arms "V" shaped. Please, notice the minute detail and the artistic value of this monument carved on marble! |
I was very pleased that Dr. Azeredo Perdigão and his wife (a distinguished pianist) gave us the great pleasure of visiting (a few years later), the Dighton Rock Museum and see their gift inside of the Dighton Rock Museum.
Also we had the pleasure and honor of the visit of Dr. José Blanco, now the Administrator of the Gulbenkian Foundation, in Lisbon, Portugal. I know that Dr. Blanco was instrumental in the favorable decision for the gift of the Padrão. We want to express here publicly our sincere thanks to Dr. Blanco.
Information about the Gulbenkian Foundation.
Mr. Calouste Gulbenkian was
born in Scutari (Turkey) in 1869. Yet he is referred to as an Armenian oil
magnate. He became to be known as "Mr. Five Per Cent" because he was
granted 5 per cent in four major oil companies including British Petroleum and
Shell. He was multimillionaire
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Mr.
Calouste Gulbenkian, founder and Patron o |
He had a passion for collecting works of art. Because he suffered from bronchitis, during the II World War, he moved from London, England, to Lisbon, Portugal as neutral country, and also because of the mild climate which was excellent for his pulmonary ailments. He fell in love with Portugal. Curiously his first name Calouste means Welcome, or Benvindo! A positive name indeed!
He died in 1955 and left all his fortune, including his many art precious artistic artifacts to a Foundation to have its headquarters in Lisbon, Portugal, to be dedicated to charity and also to the sponsoring of scholarships of sciences and the arts. The Gulbenkian Foundation has done a marvelous job for the betterment of Portuguese and Armenian peoples.
Since its establishment the Gulbenkian Foundation built a new headquarters in the central of Lisbon - Avenida de Berna - (Tel. 21-793-5131) and also a Museum of Fine Arts, one of the best in Portugal and even all over Europe.
It has original artistic pieces as far back as 4,000 years of Classical Mesopotamian and Egyptian. It has Oriental Islamic Art and Far East Art. European Art (14th to 17th Centuries), French 18th century Decorative Arts and even European Art (18th -19th Centuries).
The Museum is a jewel and if you visit Lisbon make it a must to see it. I am sure you will enjoy it. Very well balanced and in excellent taste. Besides its entrance is the lowest of all the Museums in Lisbon.